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#34690: Castafiore - Ah, ma nauran! - Musiikkiterminologia hakusessa ja sen myötä kaikki muukin

Free-jazzin yhdistäminen atonaaliseen musiikkiin ei ole ihan hullua,  kumpikin on vapaa perinteellisestä muodosta,  vaikka ovatkin aivan eri tyylilajeja. 

"  Just as 20th-century classical music extends and separates itself from the tonal language of traditional classical music, so too free jazz "frees" itself from the conventions of functional tonality:"   https://ccrma.stanford.edu/~blackrse/freejazz.html

The comparison between free jazz and concepts of 20th-century classical music, though not investigated in any depth by the author of Free Jazz, is indeed often suggested by Jost himself: "The influences felt in the divergent personal styles of the Sixties encompass musicians like Sidney Bechet, Ben Webster, Thelonious Monk and Lennie Tristano as well as Stravinsky, Schoenberg and Cage" (italics added; Jost 11), though he often makes the reservation that such similarities are not direct influences:

https://ccrma.stanford.edu/~blackrse/figure2.jpg...

Before taking a closer look at the similarities, however, I think it is valuable that I first give a quick glance at what the fundamental differences between free jazz and 20th-century classical music are, so as not to confuse the ensuing comparison with an equation. What creates the boundary between jazz and classical music? One obvious difference, already touched upon, is the method of creation: whereas classical musicians put their ideas into written scores—even when utilizing chance processes, free jazz musicians create primarily through improvisation. Another segregating factor between free jazz and 20th-century classical music are their rhythmic characters: "The decisive criterion [of jazz music]—as always—is the rhythmic substance, which despite freedom from tempo and absence of recognizable accentuation patterns [as often can be found in free jazz] still has that psycho-physically sensible kinetic energy that corresponds, however remotely, to the phenomenon of swing" (Jost 198). Thus, in free jazz—whether directly accentuated or indirectly implied by periodic swells of dynamic and texture—there is always a sense of pulse that underlies the music.